“The sound design by Olivier Calvert, and music of Charles Cotvin, was stunning not only for its considered discretion, and the occasional violence that punctuated it, but for being among the most assured applications of a spatial 5.1 mix that I’ve ever heard. Dufour-Laperrière’s film describes the possibilities of a new variety of cinematic narrative, albeit one which acknowledges fine art precedent (like the framing device of the ersatz Cornell boxes), and employs the potential of new digital technologies to its full creative advantage.”
