« Un des nombreux éléments remarquables du film est la bande-son, complexe et évocatrice ! »
Review of Isabelle au bois dormant in Eye for film
“With a classical soundtrack ably used it is witty, with a verve and madcap tone akin to Avery at his prime. It’s brilliant, so full of humorous notes it would seem impossible to dislike.”
Critique de Un, deux, trois, crépuscule dans Zewebanim
« L’univers, aussi bien graphique que sonore, que déploie cet auteur dans ce film est particulièrement envoûtant. »
Review of Le souffle du désert in Variety
“Sound quality is remarkably precise and distortion-free, even in the midst of a sandstorm.”
Review of Un, deux, trois, crépuscule in Sense of cinema
“The sound design by Olivier Calvert, and music of Charles Cotvin, was stunning not only for its considered discretion, and the occasional violence that punctuated it, but for being among the most assured applications of a spatial 5.1 mix that I’ve ever heard. Dufour-Laperrière’s film describes the possibilities of a new variety of cinematic narrative, albeit one which acknowledges fine art precedent (like the framing device of the ersatz Cornell boxes), and employs the potential of new digital technologies to its full creative advantage.”